ガゴシアン・ギャラリーさんのインスタグラム写真 - (ガゴシアン・ギャラリーInstagram)「#GagosianOnline: The fourth cycle of Basel Online is now live on gagosian.com, with works by five artists that emphasize materiality through their distinctive working processes.  Helen Frankenthaler’s signature “soak-stain” technique—pouring thinned paint directly onto unprimed canvas set on the studio floor—allows for artistic experimentations that combine elements of control and chance.  Scraping pigment from the monochromatic surface of his painting to depict a pair of silhouetted figures and their shadows, Mark Tansey creates a dynamic exploration of isometric perspective, mirroring, and abstract space.  Cy Twombly’s bronze sculpture cast from a 1950s assemblage demonstrates a palpable interplay between the source materials—wood, cloth, and twine—and the enduring nature of the resulting metal sculpture.  Since the early 1980s, Anselm Kiefer has incorporated an array of natural substances—including lead, sand, and straw—into his paintings to present dramatically tactile surfaces that are at once fragile and deeply evocative.  Richard Serra’s drawing pushes the medium to its limits by exaggerating the tension between the haptic and absorptive aspects of its visually seductive surface. Follow the link in our bio for more information or to make an inquiry. _________ #ArtBasel #Gagosian (1) Helen Frankenthaler, "Orange Underline," 1963 © 2020 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York; (2) Mark Tansey, "Study for 'Xing'," 2020 © Mark Tansey; (3) Cy Twombly, "Untitled," 2002 © Cy Twombly Foundation; (4) Anselm Kiefer, "Sichelschnitt," 2019 © Anselm Kiefer; (5) Richard Serra, "Diptych #8," 2019 © 2020 Richard Serra/Artists Rights Society (ARS), New York」6月21日 1時23分 - gagosian

ガゴシアン・ギャラリーのインスタグラム(gagosian) - 6月21日 01時23分


#GagosianOnline: The fourth cycle of Basel Online is now live on gagosian.com, with works by five artists that emphasize materiality through their distinctive working processes.

Helen Frankenthaler’s signature “soak-stain” technique—pouring thinned paint directly onto unprimed canvas set on the studio floor—allows for artistic experimentations that combine elements of control and chance.

Scraping pigment from the monochromatic surface of his painting to depict a pair of silhouetted figures and their shadows, Mark Tansey creates a dynamic exploration of isometric perspective, mirroring, and abstract space.

Cy Twombly’s bronze sculpture cast from a 1950s assemblage demonstrates a palpable interplay between the source materials—wood, cloth, and twine—and the enduring nature of the resulting metal sculpture.

Since the early 1980s, Anselm Kiefer has incorporated an array of natural substances—including lead, sand, and straw—into his paintings to present dramatically tactile surfaces that are at once fragile and deeply evocative.

Richard Serra’s drawing pushes the medium to its limits by exaggerating the tension between the haptic and absorptive aspects of its visually seductive surface. Follow the link in our bio for more information or to make an inquiry.
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#ArtBasel #Gagosian (1) Helen Frankenthaler, "Orange Underline," 1963 © 2020 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York; (2) Mark Tansey, "Study for 'Xing'," 2020 © Mark Tansey; (3) Cy Twombly, "Untitled," 2002 © Cy Twombly Foundation; (4) Anselm Kiefer, "Sichelschnitt," 2019 © Anselm Kiefer; (5) Richard Serra, "Diptych #8," 2019 © 2020 Richard Serra/Artists Rights Society (ARS), New York


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