ガゴシアン・ギャラリーのインスタグラム(gagosian) - 6月19日 01時33分

#GagosianOnline: The third cycle of Basel Online is now live on gagosian.com, presenting five artworks that incorporate references drawn from mass or high culture in order to activate viewers’ personal memories within the broader social imagination.

Despite the differences in medium, Urs Fischer’s painting and Damien Hirst’s sculpture both include depictions of notable stars from Hollywood’s golden age—whether sultry screen sirens or beloved children’s icons from the Disney universe, such as Mickey Mouse and Donald Duck—that are deliberately fractured, concealed, and rendered unfamiliar. In contrast, the paintings by Andy Warhol and Roy Lichtenstein translate art historical imagery—from Leonardo da Vinci’s iconic Renaissance painting "The Last Supper" and from the still-life genre and modernist abstraction, respectively—into the artists’ signature Pop styles, which were inspired by consumer culture.

In his sensual depiction of a woman’s mouth exhaling smoke, Tom Wesselmann exploits a pervasive visual trope used to represent sexual tension in mid-twentieth-century magazine advertisements and classical Hollywood films of the day. Follow the link in our bio for more information or to make an inquiry.
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(1) Andy Warhol, “The Last Supper,” 1986 © 2020 Andy Warhol Foundation for the Visual Arts/Artists Rights Society (ARS), New York; (2) Damien Hirst, “Five Friends,” 2017 © Damien Hirst and Science Ltd. All rights reserved, DACS 2020; (3) Roy Lichtenstein, “Abstract Still Life,” 1974 © Estate of Roy Lichtenstein; (4) Urs Fischer, “Nesting Doll,” 2019 © Urs Fischer; (5) Tom Wesselmann, “Smoker #20,” 1975 © The Estate of Tom Wesselmann/Licensed by ARS/VAGA, New York

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