ニューヨーク近代美術館 さんのインスタグラム
レジャー施設 のニューヨーク近代美術館 さんのインスタグラム(Instagram)アカウントです。
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MoMA The Museum of Modern Art
(themuseumofmodernart)
The world's museum for modern and contemporary art. To prepare for our reopening, the Museum will be closed June 16–October 20.
http://mo.ma/links
![ニューヨーク近代美術館のインスタグラム：「What are your tips for fostering a community for LGBTQ+ teens and allies? ... “...education, and having a one-on-one conversation with people. And showing people that we can talk about whatever you have questions about and make it not scary, something that has to be stigmatized.” –Maya ... “I would have to say to everyone that wants to be a part, just to go into it open-minded. Let everyone know why you’re here, so that we can all talk about it and it can be an open discussion” –Kelly ... Celebrate #Pride with @momateens of Open Art Space—our drop-in program for LGBTQ teens and their allies—sharing their thoughts on art and what it means to create safe, celebratory spaces for LGBTQ communities: mo.ma/comeasyouare (link in bio) … [Photos by Néstor Pérez-Molière]」](https://www.instagram.com/p/BypvZlMjDR5/media?size=m)
![ニューヨーク近代美術館のインスタグラム：「“There was no space, canvas, or piece of paper too big for his vision—and this whole piece feels like a vision. It’s a vision of apocalypse, a vision of the streets of New York, a vision of Haring’s imagination, and the Angels, the dolphins, the UFOs, the running dogs—it’s all a part of what was possible to him in art making...the ways that he used drawing, line, symbol, and cartooning—and just the energy coming from the work—is really one of radical joy. Celebration is possible in his world, but he doesn’t ignore the strife.” … Writer and art historian Alex Fialho (@fagalho) discusses the queer energy of #KeithHaring’s epic “Untitled” and his “fast-paced, joyous celebration of life, and what might be possible.” mo.ma/radicaljoy (link in bio) #Pride … [Credit: Keith Haring. “Untitled” (detail). 1982. Ink on two sheets of paper. Gift of the Estate of Keith Haring, Inc. © 2019 The Keith Haring Foundation]」](https://www.instagram.com/p/BylT2lbnDbM/media?size=m)
![ニューヨーク近代美術館のインスタグラム：「Don’t miss the final days to explore how contemporary artists push the boundaries of technology in #ArtTechMoMA, closing June 15. Looming behind works by Anicka Yi and Basim Magdy, #RodneyMcMillian’s enormous soft sculpture, “Succulent” (2010), could be a portal to another world. The artist himself has spoken of his work in relation to science fiction, and of “the black body as a kind of portal, or black hole”: a space of tremendous energy, at once apocalyptic and futuristic. … This is the last week to visit old friends and new favorites before the Museum is closed, June 16–October 20 to prepare for a #newMoMA! … [Photo: Jonathan Muzikar]」](https://www.instagram.com/p/ByioEUHFk7Y/media?size=m)
![ニューヨーク近代美術館のインスタグラム：「In her “Imaginary Beings” series, @NeriOxman proposes a vision for the future where biology enhanced by technology might allow humans to gain abilities such as flight or underwater breathing through the digital replication of natural tissues and biological processes. Now on view in #ArtTechMoMA: mo.ma/arttech. The Museum closes for the summer to prepare for a #newMoMA on June 15—don’t miss it! … [Credit: Neri Oxman, with W. Craig Carter. “Imaginary Beings (Gravida).” 2012. 3D printed multicolored Vero acrylic-based polymer. Gift of Stratasys. © 2019 Neri Oxman]」](https://www.instagram.com/p/Bya_13NF4xx/media?size=m)
![ニューヨーク近代美術館のインスタグラム：「“There’s a lot of veiling of bodies, a lot of veiling of faces, presentation and hiding at the same time...I get the sense that there was the ability for this group of Bohemians to go to Fire Island, and Provincetown, and other places, and be themselves and allow for a certain kind of performance of desire to take place.” ... Paul Cadmus made collaborative photographs like this one—now on view in #LincolnKirstein—with his lover Jared French and French’s wife, Margaret, under the moniker PaJaMa. Join artists and collaborators Malik Gaines and Alexandro Segade in exploring these works and their historical connections to queer and gay cultural representation in our audio guide: mo.ma/kirsteinaudio (link in bio) #Pride … [Credit: PaJaMa. “Margaret French, Paul Cadmus, Provincetown”. c. 1945. Gelatin silver print. Photography Purchase Fund. © 2019 Estate of Paul Cadmus]」](https://www.instagram.com/p/Byao33yFW5Y/media?size=m)
![ニューヨーク近代美術館のインスタグラム：「Q: Who decides what is good design? 🤔 … “In this great land where we all think and choose freely let’s not have any powerful group dictate their standards of taste and their ideas for us all to follow.” –Letter to Retailing Daily, 1954. Share your design philosophy in the comments below and explore the democratizing potential of design in #ValueofGoodDesign. The Museum closes for the summer to prepare for a #newMoMA on June 15—don’t miss it! … [Credit: “Unidentified visitors at the exhibition, ‘Useful Objects of American Design under $10’” November 26, 1940 through December 24, 1940. Photographic Archive. The Museum of Modern Art Archives, New York; @momadesignstore Photo by Ryan Lowry]」](https://www.instagram.com/p/ByYSXBfjxNT/media?size=m)
![ニューヨーク近代美術館のインスタグラム：「“...Your eyes in which I travel Have given to the signs along the roads A meaning alien to the earth In your eyes those who reveal to us Our endless solitude Are no longer what they thought themselves to be You cannot be known Better than I know you.” Excerpt from by Paul Éluard’s “Les Yeux Fertiles” (1936) … Explore the profound influence of avant-garde poetry on #JoanMiró’s visual language: mo.ma/joanmiro. The Museum closes for the summer to prepare for a #newMoMA on June 15—don’t miss it! … [Credit: Joan Miró. “Self-Portrait I” (detail) Paris, October 1937-March 1938. Pencil, crayon, and oil on canvas. James Thrall Soby Bequest. © 2019 Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris]」](https://www.instagram.com/p/ByX44b6FtDd/media?size=m)
![ニューヨーク近代美術館のインスタグラム：「“Art expands the ways we can be together...Art is a conduit; it’s a possibility for connection.” –Kerry Downey, teaching artist … Each week of Open Art Space—the Museum’s free drop-in program for LGBTQ teens and their allies—teaching artists and program facilitators Tali Petschek and Kerry Downey begin with a simple ask: “How are you doing today?” While the program centers on art making, that often takes a back seat to hanging out and checking in, in a space where the teens are free to be themselves. As we celebrate #Pride, @momateens share their thoughts on art and what it means to create safe, celebratory spaces for LGBTQ communities: mo.ma/comeasyouare (link in bio) … [Photos by Néstor Pérez-Molière]」](https://www.instagram.com/p/ByVjDQuDmIk/media?size=m)
![ニューヨーク近代美術館のインスタグラム：「In “María’s Great Exhibition” (1995–96), photographer #ChristinaFernandez mythologizes her great-grandmother María's migration to the United States. Using maps and texts, as well as photographs, to illustrate the physical patterns of migration and to expose the toll immigration takes on an individual, the artist not only chronicles her family’s experience, but also the changing conventions of modern photography. Explore this new #MoMACollection acquisition with the artist and associate curator of photography Lucy Gallun: mo.ma/mge (link in bio) ... [Credit: Christina Fernandez. “María’s Great Exhibition” (detail). 1995–96. Five gelatin silver prints, one chromogenic color print, one pigmented inkjet print, and texts. The Modern Women's Fund. © 2019 Christina Fernandez]」](https://www.instagram.com/p/ByTGqy4jIua/media?size=m)
![ニューヨーク近代美術館のインスタグラム：「There are only two weeks left to visit MoMA before we close temporarily, on June 15, to prepare for a #newMoMA. Our reopening date is October 21. If you haven’t experienced our spring season or want to see one of your favorites before the galleries close for reinstallation, now is the time! #MoMAmembers will have the Museum to themselves on June 16. Join today for a full day of art making, family activities, and jazz in the Sculpture Garden, plus be one of the first to see the Museum when we reopen this fall: moma.org/join ... [Gallery photos by: Christiana Rifaat, Martin Seck, and John Wronn]」](https://www.instagram.com/p/ByQrU7MjOxt/media?size=m)
ニューヨーク近代美術館がフォローしている有名人
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Instagram
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Halsey
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オプラ・ウィンフリー
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アリシア・キーズ
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シャネル
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Vogue
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ミスティー・コープランド
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サラ・ジェシカ・パーカー
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バラク・オバマ
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スウィズ・ビーツ
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バンクシー
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ニューヨーク・タイムズ
ニューヨーク近代美術館と一緒に登場した有名人
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オノ・ヨーコ
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クエストラブ
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ジュリアン・ムーア
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セサミストリート
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ケレラ
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セイント・ヴィンセント
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The Weeknd
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タヴィ・ゲヴィンソン
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エズラ・クーニグ
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Empire State Building
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ローリン・ヒル
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スウィズ・ビーツ
関連コンテンツ
ニューヨーク近代美術館を見た方におすすめの有名人
ニューヨーク近代美術館と一緒に見られている有名人
ニューヨーク近代美術館のハッシュタグ
- #newmoma
- #pride
- #partyinthegarden
- #momamembers
- #arttechmoma
- #valueofgooddesign
- #joanmir
- #momagarden
- #queerjoyps1
ニューヨーク近代美術館の人気のインスタグラム
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ニューヨーク近代美術館： Discover something new at @MoMAPS1's free open house this Sunday and be among the first to see eight new exhibitions featuring the work of artists from around the globe. Full schedule: mo.ma/openhouse
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ニューヨーク近代美術館： "...Celestial activity explored for the first time. The planets furtively drew near and gloomy silences thronged the stars. The hills gather round them the least delays. On the marshes remain only the
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ニューヨーク近代美術館： #JoanMiró based “Dutch Interior (I)” on a seventeenth-century painting of a lute player (SWIPE). He bought this postcard reproduction of the work at the Rijksmuseum, in Amsterdam, a few months prior t
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ニューヨーク近代美術館： Still hunting for the perfect Mother’s Day gift? This year, share your love of art with a special Mother’s Day tour at the Museum, complete with breakfast overlooking #MoMAGarden 💐. Tickets are avail
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ニューヨーク近代美術館： “There was no space, canvas, or piece of paper too big for his vision—and this whole piece feels like a vision. It’s a vision of apocalypse, a vision of the streets of New York, a vision of Haring’s i
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ニューヨーク近代美術館： “The choice to render this message in a bronze plaque elevates and transforms a piece of good advice into something official, serious, permanent, and not-to-be-dismissed.” –Kaitlyn Stubbs (@kstubbz),
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ニューヨーク近代美術館： “A Miró Immersion, one of those experiences that can make you an art lover for life or, if that’s already the case, prompt you to renew your vows.”…Our #JoanMiró exhibition is a @nytimes Critic's Pick
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ニューヨーク近代美術館： “Sometimes the absence of words can speak just as loudly. Neuenschwander reproduced pages of the Walt Disney–produced Brazilian comic book Zé Carioca, banishing figures from each frame with a monochro
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ニューヨーク近代美術館： "And while the band above the picture is composed of the revolving and rushing hum of seashells and of human nights,The flowering sweetness of the stars and of the night and all the rest descends, opp
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ニューヨーク近代美術館： “There is something ironic about a massive, bold billboard in the center of a city, calling for more poetry. Poetry will (unfortunately) never take up the space in society that the billboard’s massive
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ニューヨーク近代美術館： “The painter works like the poet: the word comes before the thought...Make a scribble. For me, it will be a point of departure, a shock. I attach great importance to the initial shock” –#JoanMiró, now
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ニューヨーク近代美術館： “...a lot of the work comes out of thinking about this transition, about the transformation of creative people into mass-produced or mass-distributed goods, services, or advertising. It’s also about a
![のインスタグラム：「Discover something new at @MoMAPS1's free open house this Sunday and be among the first to see eight new exhibitions featuring the work of artists from around the globe. Full schedule: mo.ma/openhouse (link in bio) ... Hear from Simone Fattal (@simonefattal), Gina Beavers (@gina_beavers), #TitusKaphar and Reginald Dwayne Betts (@dwaynebetts), #ZhengGuogu, and members of the Australia-based #KarrabingFilmCollective during a series of artist talks throughout the day. Swiss vocalist Aïsha Devi (@aishadevi5d) will perform live in the VW Dome to close the afternoon. … Check out our Story this evening for a preview of the #GinaBeavers exhibition! ... [Credits: Gina Beavers. “Cake.” 2015. Courtesy the artist and GNYP Gallery; Nancy Spero. “The Goddess Nut II.” 1990. © 2019 The Nancy Spero and Leon Golub Foundation for the Arts/Licensed by VAGA at ARS, NY, courtesy Galerie Lelong & Co. Photo: Michael Bodycomb; Simone Fattal. “Man and his shadow.” 2009. Courtesy of the artist and kaufmann repetto, Milan / New York; Balice Hertling, Paris; Karma International, Zurich / Los Angeles; Titus Kaphar and Reginald Dwayne Betts. Untitled (from the Redaction project), 2019. Image courtesy Titus Kaphar Studio. Photo by Merik Goma]」](https://www.instagram.com/p/BvkRD8eAT9R/media?size=m)
![のインスタグラム：「"...Celestial activity explored for the first time. The planets furtively drew near and gloomy silences thronged the stars. The hills gather round them the least delays. On the marshes remain only the memories of flights. My eyes belong to me alone and I pin them up on my cheeks so fresh and so ravaged by the wind of your words." –Excerpts from André Breton’s “Les Champs Magnétiques” (1920) ... Explore the profound influence of avant-garde poetry on #JoanMiró’s visual language: mo.ma/joanmiro … [Credit: Joan Miró. “The Beautiful Bird Revealing the Unknown to a Pair of Lovers (Le Bel oiseau déchiffrant l'inconnu au couple d'amoureux) (from the Constellation series)” (detail). 1941. Gouache, oil wash, and charcoal on paper Acquired through the Lillie P. Bliss Bequest (by exchange). © 2019 Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris]」](https://www.instagram.com/p/BwVJl0LFPA8/media?size=m)
![のインスタグラム：「#JoanMiró based “Dutch Interior (I)” on a seventeenth-century painting of a lute player (SWIPE). He bought this postcard reproduction of the work at the Rijksmuseum, in Amsterdam, a few months prior to beginning his painting. “I had the postcard pinned up on my easel while I painted.” Miró rejected the realistic design of the Dutch painting in favor of bold colors and flat shapes that played up some elements of his original inspiration—the lute and the man’s head and ruffled collar in particular—while diminishing others. Now on view. mo.ma/joanmiro … [Credits: Joan Miró. “Dutch Interior (I).” Montroig, July-December 1928. Oil on canvas. Mrs. Simon Guggenheim Fund; Postcard of Hendrick Martensz Sorgh, “The Lute Player,” 1661, used by Joan Miró in composing Dutch Interior (I). Color lithograph. Gift of the artist; © 2019 Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris] #joanmiro」](https://www.instagram.com/p/BveyOWeAILq/media?size=m)
![のインスタグラム：「Still hunting for the perfect Mother’s Day gift? This year, share your love of art with a special Mother’s Day tour at the Museum, complete with breakfast overlooking #MoMAGarden 💐. Tickets are available at mo.ma/momtour (link in bio) ... [Photo by Martin Seck]」](https://www.instagram.com/p/BxA1WhbF2mG/media?size=m)
![のインスタグラム：「“The choice to render this message in a bronze plaque elevates and transforms a piece of good advice into something official, serious, permanent, and not-to-be-dismissed.” –Kaitlyn Stubbs (@kstubbz), Petrie Fellow, Teen and Community Programs … Explore our staff’s #MoMApicks of #MoMACollection works that use words to challenge artistic convention: mo.ma/picks (link in bio) … [Credit: Jenny Holzer. “Living: You should limit the number of times…” 1980–82. Bronze. Gift of Agnes Gund. © 2019 Jenny Holzer/Artists Rights Society (ARS), New York]」](https://www.instagram.com/p/BwFlRm4lbzC/media?size=m)
![のインスタグラム：「“A Miró Immersion, one of those experiences that can make you an art lover for life or, if that’s already the case, prompt you to renew your vows.” … Our #JoanMiró exhibition is a @nytimes Critic's Pick: mo.ma/nytmiro (link in bio) ... [Joan Miró. “Hirondelle Amour”. 1933–34. Oil on canvas. Gift of Nelson A. Rockefeller. © 2018 Successió Miró/Artists Rights Society (ARS), New York/ADAGP, Paris]」](https://www.instagram.com/p/BvHrcVwjIJM/media?size=m)
![のインスタグラム：「“Sometimes the absence of words can speak just as loudly. Neuenschwander reproduced pages of the Walt Disney–produced Brazilian comic book Zé Carioca, banishing figures from each frame with a monochrome background and draining the word balloons. The result, a comic reduced to its most basic formal elements, is a response to Disney’s erasure of Brazilian culture through the use of racial stereotypes—and an opportunity for viewers to write their own stories.” –Jason Persse (@jasonpersse), Editorial Manager, Creative Team … Explore our staff’s #MoMApicks of #MoMACollection works that use words to challenge artistic convention: mo.ma/picks (link in bio) … [Credit: Rivane Neuenschwander. “Zé Carioca no. 4, A Volta de Zé Carioca (1960). Edição Histórica, Ed. Abril,.” 2004. Acrylic and ink on printed paper, each: 7 1/2 x 5 1/4" (19.1 x 13.3 cm). Fund for the Twenty-First Century. © 2019 Rivane Neuenschwander]」](https://www.instagram.com/p/BwR-fxhF4o9/media?size=m)
![のインスタグラム：「"And while the band above the picture is composed of the revolving and rushing hum of seashells and of human nights, The flowering sweetness of the stars and of the night and all the rest descends, opposite the knoll, like a basket,—against our face, and makes the abyss perfumed and blue below." –Excerpt of Arthur Rimbaud’s “Mystic,” from Illuminations (1886) … Explore the profound influence of avant-garde poetry on #JoanMiró’s visual language: mo.ma/joanmiro … [Credit: Joan Miró. “Mural Painting” (detail). Barcelona, October 18, 1950-January 26, 1951. Oil on canvas. Mrs. Simon Guggenheim Fund. © 2019 Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris]」](https://www.instagram.com/p/Bw9x4zlj9LY/media?size=m)
![のインスタグラム：「“There is something ironic about a massive, bold billboard in the center of a city, calling for more poetry. Poetry will (unfortunately) never take up the space in society that the billboard’s massive presence seems to call for. But still, we should listen to Jeremy Deller because a little poetry, or at least poeticism, can do much to lighten up our world.” –Sophie Golub, Department Manager, Publications … Inspired by the profound influence of avant-garde poetry now on display in "Joan Miró: Birth of the World," our staff members share #MoMACollection works that use words to challenge artistic convention. Explore our #MoMApicks: mo.ma/picks ... [Credit: Jeremy Deller. “More Poetry Is Needed, Swansea, 2014 from Odds and Sods (for Parkett no. 95).” 2014. One from a portfolio of five screenprints. Gift of Mr. and Mrs. Lawrence Saper (by exchange)]」](https://www.instagram.com/p/Bv2COF8Fjiu/media?size=m)
![のインスタグラム：「“The painter works like the poet: the word comes before the thought...Make a scribble. For me, it will be a point of departure, a shock. I attach great importance to the initial shock” –#JoanMiró, now on view in "Joan Miró: Birth of the World" mo.ma/joanmiro … [Credit: Joan Miró. Untitled from “Black and Red Series” (“Série noire et rouge”). 1938. One from a series of eight etchings. Purchased with the Frances Keech Fund and funds given by Agnes Gund and Daniel Shapiro, Gilbert Kaplan, Jeanne C. Thayer, Reba and Dave Williams, Ann and Lee Fensterstock, Linda Barth Goldstein, Walter Bareiss, Mrs. Melville Wakeman Hall, Emily Rauh Pulitzer, and Mr. and Mrs. Herbert D. Schimmel. © 2019 Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris] #joanmiro」](https://www.instagram.com/p/BxNbu49lImX/media?size=m)
![のインスタグラム：「“...a lot of the work comes out of thinking about this transition, about the transformation of creative people into mass-produced or mass-distributed goods, services, or advertising. It’s also about a generation in the process of being deprecated by the market as trend forecasters look to the tastes of the young people of today for this season’s sounds and colorways.” –@joshklinejoshkline … Fifteen different smoothie flavors line the shelves of Josh Kline’s light box–encased commercial refrigerator. Each bottle lists the unorthodox ingredients contained within, including latex gloves, octopus ink, Ritalin, and fragments of Google Glass eyewear. Evoking specific locations, contemporary lifestyles, industries, and brands with titles like “Big Data” and “Supplements,” the indigestible “drinks” in this glowing cooler make plain the ways in which our bodies have been transformed by technologies of consumption. Now on view in #ArtTechMoMA: mo.ma/arttech … [Credit: Josh Kline. “Skittles.” 2014. Commercial refrigerator, light box and blended liquids in bottles. Fund for the Twenty-First Century]」](https://www.instagram.com/p/BvxCWApgj3p/media?size=m)