ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 4月17日 00時49分

#EllsworthKelly first developed his distinct, resolutely abstract vocabulary of line, form, and color when he was in his mid-twenties. He eventually became interested in the way that a painting engages with the space it inhabits, increasing the scale and intensity of his hard-edged, loosely geometric compositions, all the while preserving his longtime interest in the relationship between figure and ground.
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Kelly considered the wall a kind of “ground,” the painting itself a “figure” upon it. This approach endured throughout Kelly’s nearly seventy-year career, even as he experimented with new formats, structures, and materials.
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#TheLongRunMoMA celebrates continual creativity with works made later in artists careers. Learn more: mo.ma/thelongrun
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[Credit: Ellsworth Kelly. “Red-Orange Panel with Curve.” 1993. Oil on canvas. Gift of the Committee on Painting and Sculpture in honor of Richard E. Oldenburg; Ellsworth Kelly. “White Relief over White.” 2003. Oil on canvas, two panels. Gift of Kathy and Richard S. Fuld, Jr. Photo: John Wronn; Ellsworth Kelly. “Black Form II.” 2012. Painted aluminum. Gift of James and Kathy Goodman in memory of Kirk Varnedoe (by exchange). Photo: John Wronn; All works © 2019 Ellsworth Kelly]

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