ニューヨーク近代美術館さんのインスタグラム写真 - (ニューヨーク近代美術館Instagram)「“The 26 galvanized iron pieces of Richard Tuttle’s wall sculpture can be mounted in any configuration; the artist leaves it up to chance or to the installer to decide. The constellation of forms evokes the 26 letters of the English alphabet, yet its haphazardness and intentional illegibility challenges the very idea of language. Tuttle once said of art that ‘it has no rules, no morality, no ethics. I like art where I feel the artist knows the rules—and then breaks them.’” –Lily Goldberg, Collection Specialist, Department of Painting and Sculpture … Explore our staff’s #MoMApicks of #MoMACollection works that use words to challenge artistic convention: mo.ma/picks (link in bio) … [Credit: Richard Tuttle. “Letters (The Twenty-Six Series).” 1966. Galvanized iron, 26 parts. Nina and Gordon Bunshaft Bequest (by exchange). © 2019 Richard Tuttle」4月6日 6時38分 - themuseumofmodernart

ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 4月6日 06時38分


“The 26 galvanized iron pieces of Richard Tuttle’s wall sculpture can be mounted in any configuration; the artist leaves it up to chance or to the installer to decide. The constellation of forms evokes the 26 letters of the English alphabet, yet its haphazardness and intentional illegibility challenges the very idea of language. Tuttle once said of art that ‘it has no rules, no morality, no ethics. I like art where I feel the artist knows the rules—and then breaks them.’” –Lily Goldberg, Collection Specialist, Department of Painting and Sculpture

Explore our staff’s #MoMApicks of #MoMACollection works that use words to challenge artistic convention: mo.ma/picks (link in bio)

[Credit: Richard Tuttle. “Letters (The Twenty-Six Series).” 1966. Galvanized iron, 26 parts. Nina and Gordon Bunshaft Bequest (by exchange). © 2019 Richard Tuttle


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