ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 4月13日 00時48分


Two slide projections, dissolving into one another, feature images of an industrial site being destroyed and reconstructed. To achieve the discoloration in these slides, @basim.magdy exposed the film stock to household chemicals, a technique he describes as “pickling.” Magdy has said that his work with destroyed film “came from a need to find a tool to communicate ideas related to loss, destruction, confusion, and the apocalypse.” “Unlike digitally altered images,” he explains, “chemically altered film makes the slides tangible objects, a physical testimony to a laborious process.”

Experience the work in #ArtTechMoMA, now on view on Floor 2, and join Magdy in the #JoanMir galleries on April 16 for an in-gallery conversation with curator Anne Umland connecting modern and contemporary approaches to Surrealism. Details: mo.ma/magdymiro (link in bio)

[Credit: Basim Magdy. “A 240 Second Analysis of Failure and Hopefulness (With Coke, Vinegar and Other Tear Gas Remedies)” (detail). 2012. 35mm color slides. Fund for the Twenty-First Century. © 2019 Basim Magdy]


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