ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 12月27日 01時51分

#CharlesWhite didn’t consider his hundreds of personal snapshots as part of his formal art practice, but some served as source material for his paintings. This photograph of a young woman playing a guitar in Washington Square Park provided a template for his painting “Gospel Singers” (SWIPE). Drips of red and green paint on the photograph and fingerprints on the back reveal White’s working process: as he painted, he actively referred to the image as a template for the physical features and posture of his subject.
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Explore more of the artist’s snapshots from his time in New York in the 1940s and ‘50s, and get to know his community of artists and political progressives in the city: mo.ma/charleswhiteny
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[Charles White. “Musician in Washington Square Park.” 1950s. Black-and-white photograph. Private collection. © The Charles White Archives/Digital image © 2018, MoMA, NY; Charles White. “Gospel Singers” (detail). 1951. Tempera on board. Private collection. © The Charles White Archives/ Photography by Brad Flowers.]

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