ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 12月21日 05時01分

With “The Ugly American” Haitian artist Hervé Télémaque offers a different take on history from his peers, critiquing the imperial appetite of his short-lived new home after migrating to New York in the late 1950s. Yasmil Raymond, an associate curator in our Department of Painting and Sculpture, discusses one of our latest #MoMACollection acquisitions—how it captures the catastrophic event of the Bay of Pigs in Cuba while serving as a reminder of the different ways you can fight for dignity and honor. Read more: mo.ma/uglyamerican
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[Credit: Hervé Télémaque. “No Title (The Ugly American).” 1962/64. Oil on canvas, in two panels. Gift of Marie-Josée and Henry R. Kravis in honor of a lovely American, Jerry Speyer. © Hervé Télémaque. Courtesy of the artist]

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