ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 2月14日 01時47分

The modern city has long been an object of affection, frustration, and fascination for artists. In ‘The City’ gallery of #TheLongRunMoMA—our exhibition showcasing daring invention sustained by artists long into their careers—urban spaces are viewed as complicated organisms.
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From #GeorgiaOKeeffe’s deceptively abstract rendering of the Washington Monument, and #JohnOutterbridge's sculpture, to #KerryJamesMarshall’s painting of a policeman as an ambiguous figure of authority, these artists make clear that our cities are defined as much by their inhabitants as by their architecture and infrastructure. Learn more at mo.ma/thelongrun
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1️⃣ John Outterbridge. “Broken Dance, Ethnic Heritage Series.” c. 1978-82. Stainless steel, wood, leather, sewn cloth, and ammunition box. Gift of Marlene Hess and James D. Zirin. © John Outterbridge. Courtesy of the artist.
2️⃣ Georgia O'Keeffe. “From a Day with Juan II.” 1977. Georgia O'Keeffe Bequest. © 2018 The Museum of Modern Art / Artists Rights Society (ARS), New York.
3️⃣ Kerry James Marshall. “Untitled (policeman).” 2015. Synthetic polymer paint on PVC panel with plexi frame. Gift of Mimi Haas in honor of Marie-Josée Kravis

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