テート・ギャラリーさんのインスタグラム写真 - (テート・ギャラリーInstagram)「🏳️‍🌈 We're celebrating #LGBTHistoryMonth by Queerating Tate! We're sharing a wonderfully open series of personally written responses to Tate artworks, looked at through a queer lens. 🔍 Queer art collectives from across the globe have been invited to Queerate Tate, and we want you to take part too! Read along, share your thoughts on the artworks and support the writers. Is there a work you'd like to write about? Share and tag us in your posts! A selection of your queer-ated written pieces will appear on our feeds and on our website for all to read. Today we’re introducing AZ Magazine @azmaguk, an online publication dedicated to elevating the voices of LGBTQ+ Black people and people of colour. 'This idealised painting by Italian artist Agostino Brunias (1764-96) of life in the West Indies under colonial rule, can be reappropriated to see Black joy in the face of adversity. You can almost smell the Caribbean Sea and hear the laughter and voices of Black women supporting each other. Community is vital to those of us living at the intersection of Black and queer life. Long before LGBTIQ+ people could live outside the shadows, clubs and bars were where we found our chosen family. It’s said that movement is a language within itself, so when LGBTIQ+ Black people get together to party, our bodies move and communicate in ways that are unspoken, yet we all understand. When we dance, we can forget our worries, our stresses, our hardships. We can leave everything out on that dance floor: sharing a collective understanding that Black queer and trans people are lit.' - @azmaguk Agostino Brunias, Dancing Scene in the West Indies 1764–96」2月18日 21時39分