ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 12月16日 09時48分

Cool factor 💯
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​Studio portrait photography flourished across Africa in the 1960s and '70s, becoming a popular medium for creative and self expression.
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This photograph by Sanlé Sory reflects the popularity of American cinema in newly independent Burkina Faso. The James Dean-esque young man leans against an iron gate, perhaps a cheeky interpretation of the white picket fence. He sports the accoutrements of 1950s Hollywood: a baseball cap, aviator sunglasses, blue jeans with an oversized belt buckle, and a cigarette hangs rebelliously from his mouth.

At the link in our bio, explore how photo studios provided collaborative spaces for play and performance through the works of #SanleSory and #AmbroiseNgaimoko, new to the #MoMACollection, and see more of their portraits in our Stories.

Photo: Sanlé Sory, "L’Americain (American)," 1970-85. © 2020 Sanlé Sory, courtesy @yossimilo

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