デヴィッド・ボウイさんのインスタグラム写真 - (デヴィッド・ボウイInstagram)「DAILY BOWIE THING – Day 27  “So hold on to nothing, and he won't let you down...”  Of course, not everything exists in the physical realm, as today’s #DailyBowieThing proves.  Here are four of Rex Ray’s roughs for the exclusive BowieNet members show at The Roseland in June 2002, with the three that weren’t chosen existing as digital files only.   In the olden days, long before you were born, a client would need a physical proof or an artwork rough before they could sign something off for printing. Before the digital age, this would normally take the form of a Cromalin proof in the early stages, or a printer’s proof for actual evidence of how something would print on the stock that had been chosen. Such things are highly collectable these days as they were produced in small quantities, for obvious reasons.  However, with the advent of desktop publishing and e-mail, the early stages of a design became easier to present to a client, though often designers do still get printer’s proofs made of the final design to make sure the finished product is going to be OK.   Rex Ray’s designs for this show utilised beautiful images taken by Myriam ‘Mask’ Santos. In the event, the poster at bottom right was chosen by DB, but one important detail was changed…the date!  Were you at this show in New York on 11th June, 2002, where Bowie gave an exclusive performance of both Low and Heathen? Though both albums were performed again during this promotional tour, if memory serves, this was the only show where Low was performed from start to finish in the correct order.   @masklab   #DailyBowieThing  #BowiePoster  #BowieProof  #BowieRexRay  #BowieMyriamSantos」11月28日 3時33分 - davidbowie

デヴィッド・ボウイのインスタグラム(davidbowie) - 11月28日 03時33分


DAILY BOWIE THING – Day 27

“So hold on to nothing, and he won't let you down...”

Of course, not everything exists in the physical realm, as today’s #DailyBowieThing proves.

Here are four of Rex Ray’s roughs for the exclusive BowieNet members show at The Roseland in June 2002, with the three that weren’t chosen existing as digital files only.

In the olden days, long before you were born, a client would need a physical proof or an artwork rough before they could sign something off for printing. Before the digital age, this would normally take the form of a Cromalin proof in the early stages, or a printer’s proof for actual evidence of how something would print on the stock that had been chosen. Such things are highly collectable these days as they were produced in small quantities, for obvious reasons.

However, with the advent of desktop publishing and e-mail, the early stages of a design became easier to present to a client, though often designers do still get printer’s proofs made of the final design to make sure the finished product is going to be OK.

Rex Ray’s designs for this show utilised beautiful images taken by Myriam ‘Mask’ Santos. In the event, the poster at bottom right was chosen by DB, but one important detail was changed…the date!

Were you at this show in New York on 11th June, 2002, where Bowie gave an exclusive performance of both Low and Heathen? Though both albums were performed again during this promotional tour, if memory serves, this was the only show where Low was performed from start to finish in the correct order.

@masklab

#DailyBowieThing #BowiePoster #BowieProof #BowieRexRay #BowieMyriamSantos


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