ニューヨーク近代美術館さんのインスタグラム写真 - (ニューヨーク近代美術館Instagram)「“What I would like to make happen one day is to enable people of all ages to go back into history and create their own visual interpretations.”  According to the Library of Congress, around 70 percent of all feature-length films made in the US between 1912 and 1929 no longer exist. For artist and filmmaker #GarrettBradley, this erasure was a call to create.  “Projects: Garrett Bradley” opens this Saturday, November 21, at MoMA as part of a multiyear partnership with @studiomuseum. In the artist’s multi-channel video installation of “America,” the artist and filmmaker imagines Black figures from the early decades of the 20th century whose lives have been lost to history. The work is organized around 12 short black-and-white films, interspersed with footage from “Lime Kiln Club Field Day” (1914), believed to be the oldest surviving feature-length film with an all-Black cast.  On the occasion of the opening, @garrettgarrettbradleybradley spoke with Studio Museum curators @thelmagolden and Legacy Russell (@ellerustle) about reenvisioning Black history. Read the interview on #StudioMagazine at the link in our bio. --- [Garrett Bradley. “America” (video still, detail). 2019. Photo: courtesy the artist; T. Hayes Hunter, Edwin Middleton, Bert Williams. “Lime Kiln Club Field Day.” (video still, detail). 1914/2014; Garrett Bradley. “America” (video still, detail). 2019. Photo: courtesy the artist]」11月20日 6時02分 - themuseumofmodernart

ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 11月20日 06時02分


“What I would like to make happen one day is to enable people of all ages to go back into history and create their own visual interpretations.”

According to the Library of Congress, around 70 percent of all feature-length films made in the US between 1912 and 1929 no longer exist. For artist and filmmaker #GarrettBradley, this erasure was a call to create.

“Projects: Garrett Bradley” opens this Saturday, November 21, at MoMA as part of a multiyear partnership with @studiomuseum. In the artist’s multi-channel video installation of “America,” the artist and filmmaker imagines Black figures from the early decades of the 20th century whose lives have been lost to history. The work is organized around 12 short black-and-white films, interspersed with footage from “Lime Kiln Club Field Day” (1914), believed to be the oldest surviving feature-length film with an all-Black cast.

On the occasion of the opening, @garrettgarrettbradleybradley spoke with Studio Museum curators @thelmagolden and Legacy Russell (@ellerustle) about reenvisioning Black history. Read the interview on #StudioMagazine at the link in our bio.
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[Garrett Bradley. “America” (video still, detail). 2019. Photo: courtesy the artist; T. Hayes Hunter, Edwin Middleton, Bert Williams. “Lime Kiln Club Field Day.” (video still, detail). 1914/2014; Garrett Bradley. “America” (video still, detail). 2019. Photo: courtesy the artist]


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