ニューヨーク近代美術館さんのインスタグラム写真 - (ニューヨーク近代美術館Instagram)「“Through its fluid character, it almost resembles the blood that is flowing through our veins. For me, it’s almost an act of entering the body—going into this microscopic level and seeing how things are moving and shifting.” Finding connections between her layers of photomontage and ink, #NewPhoto2020 artist @ozlemaltin__ prompts viewers to create narratives by “acknowledging what is happening in between the images.” To create her work, Altın digs through a photographic archive she has amassed over many years, combining found images with her own photographs into a dense amalgam. To create the mural-scaled “Topography (of time, of body),” the artist printed her montage of images as one photographic print, and then painted directly onto it, covering over much of the imagery to isolate certain elements. The work invites viewers to enter in, drawn not only to the figures but to their change and growth—the “process of becoming.” Discover a new perspective at the link in our bio, or moma.org/newphoto2020 --- 📸 “Topography (of time, of body)” (detail). 2019. Ink on photo print on primed canvas; Installation view, “Part of the Labyrinth,” Göteborg International Biennial for Contemporary Art, Sweden, September 7-November 17, 2019. Photo: Hendrik Zeitler 📸 “The Lovers (Intuition).” 2017. Ink, lacquer, oil paint on archival photo print. Photo: Markus Krottendorfer 📸 “Untitled (grow in the dark I),” 2019. Ink on archival photo print. Photo: Ivo Corrà 📸 “Ancestors (spirits watch me).” 2019. Pigmented inkjet print, with ink, framed. Photo: Ivo Corrà All works courtesy the artist. © Özlem Altın」10月28日 1時52分