メトロポリタン美術館のインスタグラム(metmuseum) - 9月30日 23時48分
Between 1890 and 1891, #MaryCassatt produced 10 color aquatints inspired by an exhibition of Japanese ukiyo-e woodcuts. Her work led #Degas to remark, "I do not admit that a woman can draw like that."
Here, a solemn correspondent calmly seals her envelope, exhibiting none of the dreamy sentimentality of Cassatt's artistic predecessors. Instead, this modern woman attends to her domestic responsibilities with dignity and concentration—and without revealing the contents of her missive.
In the second image—the only known impression of the first state of "The Letter"—Cassatt traced the basic design in drypoint; its appealing rough texture derives from the rich burr thrown up by a needle scratching through copper. With the wallpaper, chair, and desktop still to come, the figure appears more immediate and volumetric than in the print's final state.
Last chance! See this rare aquatint and more by Cassatt on view through October 5. ✨
Tap the link in bio to learn more. @metdrawingsandprints
P.S. Speaking of mail—the last day to request a mail-in ballot in New York is October 27! Make sure you're ready to go.
🎨 Mary Cassatt (American, 1844–1926). The Letter, 1890–91. (1) Drypoint and aquatint, printed in color from three plates; fourth state of four. (2) Drypoint, printed in black ink from one plate; first state of four. #WomanCrushWednesday #wcw
[BIHAKUEN]UVシールド(UVShield)
更年期に悩んだら
>> 飲む日焼け止め!「UVシールド」を購入する
14,925
71
2020/9/30