メトロポリタン美術館さんのインスタグラム写真 - (メトロポリタン美術館Instagram)「#WalkerEvans started working with the Polaroid SX-70 in 1973—he was attracted to its small, elegant design and its instant color prints that required no tedious lab or darkroom work. ⁣ ⁣ Like the developing Polaroid print itself, with its miraculous and immediate image, Evans came to life and worked feverishly with the new camera. ⁣At the age of 70, he returned to many of his lifelong themes, including vernacular architecture, domestic interiors, portraiture, and roadside signage.⁣ ⁣ Psst—free #bikevalet at The Met has been extended! Stop by through October 12. Learn more at the link in bio. ⁣ ⁣ 📸 Walker Evans (American, 1903–1975). [Sign: "Bikes" and Bicycle on Roof], 1973–74. Instant internal dye diffusion transfer print (Polaroid SX-70). @metphotographs」9月26日 17時34分 - metmuseum

メトロポリタン美術館のインスタグラム(metmuseum) - 9月26日 17時34分


#WalkerEvans started working with the Polaroid SX-70 in 1973—he was attracted to its small, elegant design and its instant color prints that required no tedious lab or darkroom work. ⁣

Like the developing Polaroid print itself, with its miraculous and immediate image, Evans came to life and worked feverishly with the new camera. ⁣At the age of 70, he returned to many of his lifelong themes, including vernacular architecture, domestic interiors, portraiture, and roadside signage.⁣

Psst—free #bikevalet at The Met has been extended! Stop by through October 12. Learn more at the link in bio. ⁣

📸 Walker Evans (American, 1903–1975). [Sign: "Bikes" and Bicycle on Roof], 1973–74. Instant internal dye diffusion transfer print (Polaroid SX-70). @metphotographs


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