ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 9月15日 02時55分


“The more I thought of the essence of music, the more conceptual I became…. I thought ‘feeling duration itself is music.’”

For her 1963 score, “< music for two players II >,” Fluxus composer #MiekoShiomi required only that two players sit without speaking in a closed room for over two hours.

Shiomi’s score offers a way of connecting with a partner not through language but through sharing space, and is meant to attune the performer’s senses to their environment, both visual and aural, and to sharpen awareness of sounds that are often taken for granted.

In the 1960s and 1970s, #Fluxus artists from around the world reimagined art’s relationship to audiences. A key idea was the score—developed from music composition—which allowed anyone to carry out the artist’s instructions for the performance at any time.

Discover more artworks that aren’t finished until you participate at moma.org/magazine, or the link in our bio.
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[Mieko Shiomi. “< music for two players II >.” 1963. Ink on paper. © 2020 Mieko Shiomi] #MoMAMagazine


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