ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 7月29日 00時52分
How can artists reshape society?
In this moment of national reckoning, Margot Yale, a cataloguer in our department of drawings and prints, looks back to the Works Progress Administration Federal Art Project (WPA/FAP), which in 1935 provided wages for nearly 10,000 artists.
“The program’s commitment to keeping artists on payroll as the country navigated recovery from the Great Depression is often cited as an unprecedented moment in American history, when artists and art were deemed central to economic recovery,” Yale writes on #MoMAMagazine.
#RivaHelfond taught printmaking at the FAP’s Harlem Community Art Center—a uniquely interracial community first directed by #AugustaSavage. Her lithograph “Curtain Factory” empathizes with the plight of working-class women, depicting a sweatshop where women bend wearily over their sewing machines.
Read more about the Federal Art Project’s legacy in prints at the link in our bio.
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[Riva Helfond. "Curtain Factory." c. 1936–39. Lithograph. Extended loan from the United States WPA Art Program. Fine Arts Collection, Public Buildings Service, General Services Administration] #WPA #printmaking #lithography
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