ガゴシアン・ギャラリーさんのインスタグラム写真 - (ガゴシアン・ギャラリーInstagram)「#GagosianSpotlight: “Fruit, I believe, is for Fischer a way to bring history to its knees.” —Francesco Bonami  In his expansive and protean oeuvre, Urs Fischer has returned time and again to the subject of food, as a fundament of everyday life and, conversely, as an art historical signifier of ephemerality and mortality in the grand tradition of the “vanitas.” Like sixteenth-century Italian painter Giuseppe Arcimboldo, Fischer employs the motif of fruits and vegetables in portraiture. In a video for “Gagosian Quarterly,” curator Francesco Bonami reflects on Fischer’s use of produce throughout his oeuvre. Follow the link in our bio to watch the video. __________ #UrsFischer #Gagosian (1) Giuseppe Arcimboldo, “Vertumnus (Emperor Rudolf II),” 1590. Photo: Erich Lessing / Art Resource, NY; (2) Urs Fischer, “Springtime in the Midwest,” 2019 © Urs Fischer」6月28日 18時57分 - gagosian

ガゴシアン・ギャラリーのインスタグラム(gagosian) - 6月28日 18時57分


#GagosianSpotlight: “Fruit, I believe, is for Fischer a way to bring history to its knees.”
—Francesco Bonami

In his expansive and protean oeuvre, Urs Fischer has returned time and again to the subject of food, as a fundament of everyday life and, conversely, as an art historical signifier of ephemerality and mortality in the grand tradition of the “vanitas.” Like sixteenth-century Italian painter Giuseppe Arcimboldo, Fischer employs the motif of fruits and vegetables in portraiture. In a video for “Gagosian Quarterly,” curator Francesco Bonami reflects on Fischer’s use of produce throughout his oeuvre. Follow the link in our bio to watch the video.
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#UrsFischer #Gagosian
(1) Giuseppe Arcimboldo, “Vertumnus (Emperor Rudolf II),” 1590. Photo: Erich Lessing / Art Resource, NY; (2) Urs Fischer, “Springtime in the Midwest,” 2019 © Urs Fischer


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