ガゴシアン・ギャラリーのインスタグラム(gagosian) - 6月17日 02時30分

#GagosianBroadcast: Gagosian is pleased to present the second chapter of “Broadcast: Alternate Meanings in Film and Video.” The online exhibition employs the innate immediacy of time-based art to spark reflection on the here and now.

This second chapter presents six films and videos by artists who elaborate on themes of social topography and myth, at times intertwining the two. Ed Ruscha’s “L.A. Restaurants” captures the vast history embedded in Los Angeles’s distinctive restaurant vernacular architecture from Hollywood’s “golden years.” In “Twelve Years Over Hollywood,” Piero Golia offers a highly personal perspective on the Los Angeles milieu through a compilation of still photographs taken from his own balcony. Romuald Hazoumè counters with a cutting reversal of the concepts of wealth and financial aid between the global North and South.

Other artists in this chapter present works that focus on fantasy, allegory, and social commentary. Carsten Höller consumes psychedelic substances on camera to introspectively explore childhood memories and alternate realities, while Rachel Feinstein considers gendered conventions of femininity using the framework of a children’s fairy tale. Nam June Paik’s “Good Morning Mr. Orwell,” in contrast, responds to a global landscape by staging a celebratory, avant-garde transatlantic broadcast. Watch the films now via the link in our bio.
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@new_atlantis @edruschaofficial @rachelfeinsteinstudio #Gagosian
(1) Carsten Höller, “Muscimol 3. Versuch,” 1997 © Carsten Höller; (2) Piero Golia, “Twelve Years over Hollywood,” 2008–20 © Piero Golia; (3) Ed Ruscha, “L.A. Restaurants,” 2019 © Ed Ruscha; (4) Rachel Feinstein, “Spring and Winter,” 1994–96 © Rachel Feinstein; (5) Nam June Paik, “Good Morning Mr. Orwell,” 1984 © Nam June Paik Estate; (6) Romuald Hazoumè, “NGO (Beninese Solidarity with Endangered Westerners),” 2011 © Romuald Hazoumè, courtesy André Magnin

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