ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 7月26日 01時04分

Cars and pedestrians crossing the Queensborough Bridge on the morning of June 23, 2002, were greeted by a strange sight. Inspired by the tradition of festive and religious processions in Belgium and Mexico, Mexico City-based Belgian artist #FrancisAls staged the work “The Modern Procession”—a parade of people carrying artworks (and a woman, seated on a throne) on palanquins, while others scattered rose petals and blew bubbles, all set to the tunes of a live brass band. The march from midtown to Long Island City signaled the Museum’s temporary relocation to Queens while its main building underwent construction. #TBT
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Explore this work and more moments from #MoMAhistory: moma.org/momathroughtime (link in bio)
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[Credit: Francis Alÿs. “The Modern Procession.” 2002. Two-channel video (color, sound). Gift of the Silverweed Foundation. © 2017 Francis Alÿs]

[BIHAKUEN]UVシールド(UVShield)

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puckgerkema What a coincidence! I am currently writing my graduate thesis about the Modern Procession, and to see you post a photo of this remarkable performance gives me energy to keep going. Thank you @themuseumofmodernart ❤️

missperovaz So synthetic for someone that grew you with the real devotion. Poverty and devotion have been exploit as aesthetic beauty in such unrealistic ways.

brendanshanahanart So I'm assuming this wasn't an actual Giacometti? Exciting if it was!

wolfsxblut @sabelcuttingonions @ksuschkaa @liabaer_ sieht aus wie Lehmbruck? 😅

gitan_clan That’s two vx1000s facing each other with a fish 👁

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