グッゲンハイム美術館さんのインスタグラム写真 - (グッゲンハイム美術館Instagram)「In 2005, “The Eye of the Storm: Works in situ by Daniel Buren” featured a large architectural intervention: a mirrored rectangular tower that jutted into the rotunda, rising from the floor to the top of the Level 6 ramp. The work was both a reflection on and a response to the “storm” that occurred when the Guggenheim removed Buren’s work “Peinture-Sculpture” (1971) from the museum’s sixth Guggenheim International Exhibition in 1971. Representing one corner of an enormous imagined cube that, if centered in the space, would have filled it entirely, “Around the Corner” (2005) reversed the terms of the 1971 debate, reflecting and opening up views of the bays surrounding the installation, which were deliberately left empty. The structure, whose sides were parallel to 5th Avenue and East 88th Street, also reintegrated the grid of the city into Wright’s defiant spiral.  __ Since opening in 1959, our Frank Lloyd Wright-designed museum has served as inspiration for invention, challenging artists and architects to react to its eccentric, organic design. Follow #Guggenheim60 to discover more artist interventions during our 60th anniversary year!  Photos: David Heald #Guggenheim #ArtistInterventions」6月12日 5時02分 - guggenheim

グッゲンハイム美術館のインスタグラム(guggenheim) - 6月12日 05時02分


In 2005, “The Eye of the Storm: Works in situ by Daniel Buren” featured a large architectural intervention: a mirrored rectangular tower that jutted into the rotunda, rising from the floor to the top of the Level 6 ramp. The work was both a reflection on and a response to the “storm” that occurred when the Guggenheim removed Buren’s work “Peinture-Sculpture” (1971) from the museum’s sixth Guggenheim International Exhibition in 1971. Representing one corner of an enormous imagined cube that, if centered in the space, would have filled it entirely, “Around the Corner” (2005) reversed the terms of the 1971 debate, reflecting and opening up views of the bays surrounding the installation, which were deliberately left empty. The structure, whose sides were parallel to 5th Avenue and East 88th Street, also reintegrated the grid of the city into Wright’s defiant spiral.
__
Since opening in 1959, our Frank Lloyd Wright-designed museum has served as inspiration for invention, challenging artists and architects to react to its eccentric, organic design. Follow #Guggenheim60 to discover more artist interventions during our 60th anniversary year!

Photos: David Heald
#Guggenheim #ArtistInterventions


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