ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 3月22日 00時43分

“Cathedra gargantua, genus americanus. Weight when fully matured, 60 pounds. Habitat, the American Home. Devours little children, pencils, small change, fountain pens, bracelets, clips, earrings, scissors, hairpins, and other small flora and fauna of the domestic jungle. Is far from extinct.” This label from MoMA’s 1941 "Organic Design in Home Furnishings" exhibition points to the overstuffed armchair as an example of the “horrible” design curators prepared to crusade against.
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In contrast, the high-back armchair (1940) designed by Charles Eames, Eero Saarinen, and Marli Ehrman was among the winning designs of the Museum’s Organic Design in Home Furnishings competition that year. The chair was created to give the sitter maximum support, while avoiding heavy construction and cumbersome upholstery.
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Which chair supports your design values? Judge for yourself in #ValueofGoodDesign. Now on view: mo.ma/gooddesign
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[Credits: Installation view of the exhibition, "Organic Design in Home Furnishings." September 24, 1941–November 9, 1941. Photographic Archive. The Museum of Modern Art Archives, New York. Photo: Samuel H. Gottscho; Charles Eames, Eero Saarinen, and Marli Ehrman, “High-Back Armchair.” 1940. Molded wood shell, foam rubber, upholstery, and wood legs. The Museum of Modern Art, New York. Purchase Fund]

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