テート・ギャラリーのインスタグラム(tate) - 3月21日 06時06分


Thank you to @thegreatwomenartists for taking over our feed today! ✨ This is Katy’s final #5WomenArtists pick for #WomensHistoryMonth.
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Born Marjorie Watson-Williams in Bristol, the once figurative painter who studied at the Slade changed her name to Paule Vézelay to mark her entry to Parisian Abstraction. It was here where she worked alongside the surrealists creating automatic, dreamlike works that explored harmonic, rhythmic and optical movements. This charcoal on canvas is typical of her time spent in Paris, and feels quite ritualistic and spiritual with its pure, spherical, and circular forms that float within its non-descript space. Soon after this work was made at the outbreak of WW2, Vézelay was forced back to the UK where her work shifted to a purer form of Abstraction. Although she was reluctant to ever join the British Art Scene, Vézelay was rightfully recognised with a retrospective at Tate Britain the year before she passed away. Thanks for joining me on my #5WomenArtists, and go check out these incredible works, on display now!
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Paule Vézelay, Forms 1936, on free display at Tate Modern. Click the link in today’s bio to continue exploring the stories and achievements of women artists in our collection.


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