テート・ギャラリーのインスタグラム(tate) - 3月20日 23時54分


Today we’ve handed our feed over to Katy Hessel of @thegreatwomenartists as she shares her #5WomenArtists for #WomensHistoryMonth.
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I am stunned at how modern Neel's large, awkward, and unapologetically confident nude portrayal of Ethel Ashton is, painted at a time of turmoil in the artist's life — Neel's husband had just left the Bronx family home along with their young daughter. Born out of Neel's frustration for the marginalised status and stereotypes of women and women artists, she captured her artist friend Ashton, with whom she was sharing a studio, in a way that no one had dared paint women before: bulky, squashed, imbued with imperfections and fleshiness. But that was Neel. From the very beginning, she painted the expressive truth of her sitters, and particularly the strong depiction of femininity.
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Alice Neel, Ethel Ashton 1930 — see this work on free display @tateliverpool


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