ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 8月30日 00時37分

“Brazilian landscape architect Roberto Burle Marx believed that the garden was one of the greatest art forms, one that might provide a utopian space amid industrialization and the end of nature. As he said in 1954, ‘[T]he plant is, to a landscape artist, not only a plant—rare, unusual, ordinary or doomed to disappearance—but it is also a color, a shape, a volume or an arabesque in itself.’” –Michelle Kuo, our Marlene Hess Curator of Painting and Sculpture
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What artwork embodies the world you want to live in? Inspired by the contrasting visions of the world presented in our current exhibitions “Bodys Isek Kingelez: City Dreams” and “Toward a Concrete Utopia: Architecture in Yugoslavia, 1948–1980,” our staffed searched for utopia in #MoMACollection. See what they found at mo.ma/picks. #MoMApicks
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[Details: Roberto Burle Marx. ”Ibirapuera Park, Quadricentennial Gardens, project, São Paulo, Brazil, Plan, detail five.” 1953. Gouache on board. Inter-American Fund. © 2018 Burle Marx & Cia.Ltda]

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