ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 10月24日 00時49分

Max Ernst's love of puns was likely fostered by Sigmund Freud’s book “Jokes and Their Relation to the Unconscious.” Here, the Dada artist overpainted a page from a sales catalogue showing women’s hats printed in an orderly grid. Ernst added more cut-and-pasted hats to make the phallic tower at the left. This visual pun relates to Freud's identification of the hat—the requisite accessory of the bourgeois man—as a common symbol of repressed desire, adding new meaning and gender ambiguity to the cliché inscribed on the work, "C'est le chapeau qui fait l'homme" ("The hat makes the man").
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See this and more experimental works by Ernst in “Max Ernst: Beyond Painting,” now on view.
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#MaxErnst. “The Hat Makes the Man (C'est le chapeau qui fait l'homme).” 1920. Gouache, pencil, oil, and ink on cut-and-pasted printed paper on paper. Purchase. © 2017 Artists Rights Society (ARS), New York/ADAGP, Paris

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