ブルックリン美術館のインスタグラム(brooklynmuseum) - 9月27日 21時55分
Artist, teacher, daughter, mother, Afro-Cuban, Caribbean, Latina, Black, American, feminist, woman.
These are just some of the currents, realities, and experiences that run through María Magdalena Campos-Pons’ work. Throughout her career, Campos-Pons has always resisted categories, insisting instead on “the space in between,” a confluence of identities, what she calls “intangible material” that overlaps experiences.
This untitled mobile from her 2020-21 series “The Rise of the Butterflies,” is inspired by the elemental materials of water (in the range of blues) and air (in the breath that shaped the mouth-blown glass). Continuing her decades-long engagement with both, here they coalesce into shapes like eyes 👁️ and nazars 🧿, symbolizing community protection during a time of worldwide antiracist protests, which the artist witnessed from Nashville, where she is currently based.
Learn more about Campos-Pons and see her multimedia work, in #BeholdBkM through January 14, 2024.
📷 Photo by Matthew Carasella (@matthewcarasella)
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2023/9/27