ブルックリン美術館のインスタグラム(brooklynmuseum) - 2月17日 23時01分
In Invisible Man, Ralph Ellison wrote, "I am a man of substance, of flesh and bone, fiber and liquids… I am invisible, simply because people refuse to see me." Made in the year of Ellison's death, this painting represents both a memorial for the author as well as the void he described in his work. The artist, Jack Whitten, has also filled this elegy with substance, creating a mosaic of acrylic paint and organic materials that pushes the boundaries of painting.
During his lifetime, Ellison collected African sculptures and masks, and his collection was donated to the Brooklyn Museum in 2015. This collection, as well as Ellison's position as a prominent Black cultural figure, are jumping off points for the exhibition John Edmonds: A Sidelong Glance, currently on view at the Museum.
In conjunction with this exhibition, and in celebration of #BlackHistoryMonth, this February we are highlighting other contemporary artists from the collection whose work reflects on African art in relationship to Black American heritage.
Jack Whitten (American, 1939-2018). Black Monolith II (For Ralph Ellison), 1994. Acrylic, molasses, copper, salt, coal, ash, chocolate, onion, herbs, rust, eggshell, razor blade on canvas. Brooklyn Museum, William K. Jacobs, Jr. Fund, 2014.65. © artist or artist's estate (Photo: Image Courtesy of Alexander Gray Associates)
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2021/2/17