ガゴシアン・ギャラリーさんのインスタグラム写真 - (ガゴシアン・ギャラリーInstagram)「#EdmunddeWaal: "cold mountain clay," an exhibition of new and recent works by Edmund de Waal, is now on view at Gagosian, Hong Kong.  The exhibition takes its title from the famed "Cold Mountain" poems, a series of verses by the monk Hanshan, who, according to legend, lived as a recluse on a Chinese mountaintop during the Tang Dynasty (618–907 CE).  Inspired by Hanshan’s practice of writing on rocks, tree trunks, and cave walls—thereby letting the elements erode his verses—de Waal’s new works are made through a cycle of inscription and effacement. He begins by coating a wood panel in liquid kaolin; while the slip is still wet, he floats flecks of gold leaf and writes lines of Hanshan’s poetry in graphite, oil stick, and charcoal. He then brushes these marks with additional layers of slip, repeating the process multiple times to produce a “fugitive poem,” a palimpsest of text that emulates the haze of memory. Follow the link in our bio to learn more about the exhibition. __________ #Gagosian @edmunddewaal Installation views, "Edmund de Waal: cold mountain clay," Gagosian, Hong Kong, November 20, 2020–January 9, 2021. Artwork © Edmund de Waal」11月21日 22時55分 - gagosian

ガゴシアン・ギャラリーのインスタグラム(gagosian) - 11月21日 22時55分


#EdmunddeWaal: "cold mountain clay," an exhibition of new and recent works by Edmund de Waal, is now on view at Gagosian, Hong Kong.

The exhibition takes its title from the famed "Cold Mountain" poems, a series of verses by the monk Hanshan, who, according to legend, lived as a recluse on a Chinese mountaintop during the Tang Dynasty (618–907 CE).

Inspired by Hanshan’s practice of writing on rocks, tree trunks, and cave walls—thereby letting the elements erode his verses—de Waal’s new works are made through a cycle of inscription and effacement. He begins by coating a wood panel in liquid kaolin; while the slip is still wet, he floats flecks of gold leaf and writes lines of Hanshan’s poetry in graphite, oil stick, and charcoal. He then brushes these marks with additional layers of slip, repeating the process multiple times to produce a “fugitive poem,” a palimpsest of text that emulates the haze of memory. Follow the link in our bio to learn more about the exhibition.
__________
#Gagosian @edmunddewaal
Installation views, "Edmund de Waal: cold mountain clay," Gagosian, Hong Kong, November 20, 2020–January 9, 2021. Artwork © Edmund de Waal


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