ガゴシアン・ギャラリーさんのインスタグラム写真 - (ガゴシアン・ギャラリーInstagram)「#GagosianSpotlight: "Many years ago I used the term 'liquid intelligence' to talk about photography. I was referring mainly to the water used in film processing, but now I think that my affection for the role water plays in photography is probably also connected to my being a coastal person." —Jeff Wall  In a new piece for "Gagosian Quarterly," Jeff Wall speaks to Gary Dufour about his new photographs, made on the beachfront of English Bay in Vancouver, Canada, that record the endlessly varied and shifting patterns created in seaweed by the ebb and flow of the tide. The pair also discuss how these pieces connect to Wall’s earlier work, as well as the work of other photographers including Alfred Stieglitz. Follow the link in our bio to read the interview. __________ #JeffWall  #Gagosian Jeff Wall; (1) "Low tide gull shadow," 2020; (2) "The Flooded Grave," 1998–2000. Artwork © Jeff Wall」11月19日 4時32分 - gagosian

ガゴシアン・ギャラリーのインスタグラム(gagosian) - 11月19日 04時32分


#GagosianSpotlight: "Many years ago I used the term 'liquid intelligence' to talk about photography. I was referring mainly to the water used in film processing, but now I think that my affection for the role water plays in photography is probably also connected to my being a coastal person."
—Jeff Wall

In a new piece for "Gagosian Quarterly," Jeff Wall speaks to Gary Dufour about his new photographs, made on the beachfront of English Bay in Vancouver, Canada, that record the endlessly varied and shifting patterns created in seaweed by the ebb and flow of the tide. The pair also discuss how these pieces connect to Wall’s earlier work, as well as the work of other photographers including Alfred Stieglitz. Follow the link in our bio to read the interview.
__________
#JeffWall #Gagosian
Jeff Wall; (1) "Low tide gull shadow," 2020; (2) "The Flooded Grave," 1998–2000. Artwork © Jeff Wall


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