テート・ギャラリーのインスタグラム(tate) - 6月18日 19時48分
While our galleries are closed, our volunteers are sharing an artwork that resonates for them during this time. Today's choice is from Ian:
'I’m a Tate Guide and a lecturer and, like so many people, all of my diary commitments evaporated overnight in mid-March. It was a shock at first, but I’ve replicated things as best I can by giving virtual tours and talks. It’s not the same, of course, but still good fun.
During lockdown I’ve been forced to think about nature and the environment. Partly because it’s been such a glorious spring, but also the first one for years that I’ve had time to soak up all its sounds, sights and smells. Clear air and birdsong make a welcome contrast to the ravages of the pandemic. This virus is making it very clear to the human race that nature is still in charge.
I’ve chosen this work because Richard Long is brilliant at confronting us with the force of nature and making us aware of its importance. I love talking about this work when I lead tours in Tate. It’s made from pieces of red slate from Vermont. The stones are millions of years old, laid out in a 4-metre circle with the taller stones towards the centre like a ragged summit. All the pieces are separate—there’s no touching, just like us at the moment. Nothing is manufactured except the actual circle, and even that’s a natural shape, the simplest geometric form. This is raw nature, but we are reminded of how we harness its power.
The lockdown has also made me realise how much I miss other people. Leading tours at Tate involves fleeting relationships with visitors but there’s always eye contact, smiles, nods, humour and bonding even in 45 minutes. I miss it all.' - Ian, Tate Guide
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2020/6/18