テート・ギャラリーさんのインスタグラム写真 - (テート・ギャラリーInstagram)「Get to know... Nan Goldin 📷 ‘My work comes from empathy and love. I can’t photograph anyone out of anger.’ Nan Goldin began taking photographs as a teenager in Boston, Massachusetts in the 1970s as a way to capture and cherish her relationships with those around her.  When she left home, she lived among drag queens in Boston and New York, developing a close relationship with the drag and transgender communities and photographing them with honesty and viscerality.  She often shows her work as slideshows set to music, the most famous of which is 'The Ballad of Sexual Dependency' (1986)—the third image here is from that series. The work documents the gay subculture in New York in the 1980s and Goldin’s family and friends and depicts drug use, the AIDS pandemic and domestic violence.  She has described her work as a ‘diary I let people read’, and her intimate depictions of the love, sexuality, addiction, beauty and pain of those close to her has led to her forging an influential snapshot style of photography.  @nangoldinstudio 🛤️​ Self-Portrait on the train, Germany, 1992 🚖 ​Misty and Jimmy Paulette in a taxi, NYC, 1991 ​🛏️ ​Greer and Robert on the bed, NYC, 1982」6月16日 22時33分 - tate

テート・ギャラリーのインスタグラム(tate) - 6月16日 22時33分


Get to know... Nan Goldin 📷 ‘My work comes from empathy and love. I can’t photograph anyone out of anger.’ Nan Goldin began taking photographs as a teenager in Boston, Massachusetts in the 1970s as a way to capture and cherish her relationships with those around her.
When she left home, she lived among drag queens in Boston and New York, developing a close relationship with the drag and transgender communities and photographing them with honesty and viscerality.

She often shows her work as slideshows set to music, the most famous of which is 'The Ballad of Sexual Dependency' (1986)—the third image here is from that series. The work documents the gay subculture in New York in the 1980s and Goldin’s family and friends and depicts drug use, the AIDS pandemic and domestic violence.

She has described her work as a ‘diary I let people read’, and her intimate depictions of the love, sexuality, addiction, beauty and pain of those close to her has led to her forging an influential snapshot style of photography.
@nangoldinstudio
🛤️​ Self-Portrait on the train, Germany, 1992
🚖 ​Misty and Jimmy Paulette in a taxi, NYC, 1991
​🛏️ ​Greer and Robert on the bed, NYC, 1982


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