ガゴシアン・ギャラリーのインスタグラム(gagosian) - 5月31日 05時28分

#GagosianSpotlight: “Grotjahn is very aware of the history of abstract painting and its engagement with nature, if not landscape. The ‘Capri’ project seems to particularly channel Abstract Expressionism, most poignantly the work of Clyfford Still and Jackson Pollock. Like Still, Grotjahn uses the palette knife to create surfaces that reference earthiness in their gritty colors and mud-like textures. The ‘Capri’ paintings echo not only Still’s use of the palette knife, but also the idea that painting is an internalization of nature.”
—Michael Auping

Head to “Gagosian Quarterly" to read an essay by Michael Auping on the origins of Mark Grotjahn’s “Capri” paintings and their relationship with nature and landscape. Follow the link in our bio.
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#MarkGrotjahn #GagosianQuarterly #Gagosian @markgrotjahn
(1) Clyfford Still, “1965 (PH-578),” 1965, Museo Thyssen-Bornemisza, Madrid © 2020 City & County of Denver, Courtesy Clyfford Still Museum/Artists Rights Society (ARS), New York, Photo: Museo Nacional Thyssen-Bornemisza/Scala/Art Resource, NY; (2) Mark Grotjahn, “Untitled (Capri 52.57),” 2019 © Mark Grotjahn

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