ガゴシアン・ギャラリーのインスタグラム(gagosian) - 5月31日 18時27分

#GagosianSpotlight: “The ‘Face’ paintings are about faces embedded in nature, and actually constructed from tree branches and leaves. Grotjahn acknowledges these transformations, pointing out in particular the veins of leaves, feeling like human veins. You can glimpse historical flashbacks in these paintings, from the textured tree people in Max Ernst’s ‘Age of Forests’ (1926) to the image of mud-covered captain Kurtz peering out of his jungle of darkness.”
—Michael Auping

For “Gagosian Quarterly," Michael Auping writes about the origins of Mark Grotjahn’s “Capri” paintings and their relationship with nature and landscape. Follow the link in our bio to read the feature online.
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#MarkGrotjahn #Gagosian @markgrotjahn
(1) Mark Grotjahn, “Untitled (Yellow Face 774),” 2007–08 © Mark Grotjahn; (2) Max Ernst, “Époque des forêts (Age of Forests),” 1926 (detail), Albright-Knox Art Gallery, Buffalo, New York, A. Conger Goodyear Fund, 1964 © 2020 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo © Albright-Knox Art Gallery/Art Resource, New York

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