ニュー・ミュージアム・オブ・コンテンポラリー・アートさんのインスタグラム写真 - (ニュー・ミュージアム・オブ・コンテンポラリー・アートInstagram)「"A 'sculpture' that physically reacts to its environment can no longer be regarded as an object. The range of outside factors affecting it, as well as its own radius of action, reach beyond the space it materially occupies." —#HansHaacke ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ Haacke's "Ice Stick" (1966) and "Schwimmender Eisring" [Floating Ice Ring] (1970) expand and contract according to fluctuations in a gallery's humidity. See works such as these that were vital to discussions around systems aesthetics in art as part of "Hans Haacke: All Connected." ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ “Hans Haacke: All Connected,” 2019. Exhibition view: New Museum, New York. © Hans Haacke / Artists Rights Society (ARS), New York. Photo: @dariolasagni」11月24日 4時11分 - newmuseum

ニュー・ミュージアム・オブ・コンテンポラリー・アートのインスタグラム(newmuseum) - 11月24日 04時11分


"A 'sculpture' that physically reacts to its environment can no longer be regarded as an object. The range of outside factors affecting it, as well as its own radius of action, reach beyond the space it materially occupies." —#HansHaacke ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
Haacke's "Ice Stick" (1966) and "Schwimmender Eisring" [Floating Ice Ring] (1970) expand and contract according to fluctuations in a gallery's humidity. See works such as these that were vital to discussions around systems aesthetics in art as part of "Hans Haacke: All Connected." ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
“Hans Haacke: All Connected,” 2019. Exhibition view: New Museum, New York. © Hans Haacke / Artists Rights Society (ARS), New York. Photo: @dariolasagni
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