ニューヨーク近代美術館さんのインスタグラム写真 - (ニューヨーク近代美術館Instagram)「In “María’s Great Exhibition” (1995–96), photographer #ChristinaFernandez mythologizes her great-grandmother María's migration to the United States. Using maps and texts, as well as photographs, to illustrate the physical patterns of migration and to expose the toll immigration takes on an individual, the artist not only chronicles her family’s experience, but also the changing conventions of modern photography. Explore this new #MoMACollection acquisition with the artist and associate curator of photography Lucy Gallun: mo.ma/mge (link in bio) ... [Credit: Christina Fernandez. “María’s Great Exhibition” (detail). 1995–96. Five gelatin silver prints, one chromogenic color print, one pigmented inkjet print, and texts. The Modern Women's Fund. © 2019 Christina Fernandez]」6月5日 3時49分 - themuseumofmodernart

ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 6月5日 03時49分


In “María’s Great Exhibition” (1995–96), photographer #ChristinaFernandez mythologizes her great-grandmother María's migration to the United States. Using maps and texts, as well as photographs, to illustrate the physical patterns of migration and to expose the toll immigration takes on an individual, the artist not only chronicles her family’s experience, but also the changing conventions of modern photography. Explore this new #MoMACollection acquisition with the artist and associate curator of photography Lucy Gallun: mo.ma/mge (link in bio)
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[Credit: Christina Fernandez. “María’s Great Exhibition” (detail). 1995–96. Five gelatin silver prints, one chromogenic color print, one pigmented inkjet print, and texts. The Modern Women's Fund. © 2019 Christina Fernandez]


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