ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 6月6日 00時45分

While the four large wooden cubicles in Adrian Piper’s “Vote/Emote” allude to voting booths, the visitor who enters them is given not a list of candidates but an opportunity to privately and anonymously respond to personal psychological questions. In each booth an image of African or African-American people, including Civil Rights-era protestors, provides historical and affective context to participants encouraging them to consider the implications of responses in regard to race relations. Now on view in our #AdrianPiper exhibition.
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[Artwork: Adrian Piper. Vote/Emote. 1990. Mixed-medium installation. Four wood booths with swinging doors, four notebooks with preprinted pages, pens, four photographs, light boxes, and framed windows, Source photography: Kristine Larsen, Village Voice (1988; Brooklyn, NY); Dick Durrance II, National Georgraphic (1977; Cape Town, South Africa); Bruce Davidson-Magnum, Newsweek (August 29, 1963; Washington D.C.); Alon Reininger-Village Voice (January 14, 1980). Collection Adrian Piper Research Archive Foundation Berlin. © Adrian Piper Research Archive Foundation Berlin]

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