ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 4月24日 04時17分

“I think of all the works that I make as having the potential emotional resonance that they could remind you of something in your own life. Or, if they don’t remind you of something that’s already happened, in a way, they could remind you of something in the future. It’s like a souvenir. Later, you would have a particular experience and you would have a feeling in that experience and think, “Oh my god, I had that feeling before. When did I have that feeling before? Oh, I was looking at this artwork.” That’s what I’m going for.”
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Artist Chloë Bass joins MoMA educator Alethea Rockwell for a conversation on how Bass translates ideas from her interactive workshops at the Museum into text-based artwork exploring public intimacy. Read more at stories.moma.org (direct link in bio) #MoMALearning
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[Images: “It’s amazing we don’t have more fights” artist workshop with Chloë Bass, The Museum of Modern Art, April 23, 2016. Shown: Dan Flavin. “untitled (to the “innovator” of Wheeling Peachblow).” 1968. The Museum of Modern Art, New York. Helena Rubinstein Fund. © 2018 Estate of Dan Flavin/Artists Rights Society (ARS), New York. Photo: Manuel Martagon. © 2018 The Museum of Modern Art
Chloë Bass. “A Glossary of Proximity Verbs (detail).” 2018. Courtesy of the artist.]

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