ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 1月27日 06時33分
“One of the audacious pioneers of the postwar era, Brazilian artist Lygia Clark reinvented not only what a sculpture could look like, but how a spectator could behave in its presence. This work, part of her Animal Series, was fabricated to be handled and manipulated. The sculpture is all about potentiality: Clark offers it as an open-ended proposition to be considered and explored. And although the Museum cannot allow its visitors to touch the sculpture, the sense of free experimentation inherent in its segmented form remains vividly alive.”—Ann Temkin, The Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture
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Visit mo.ma/cisneros to explore more Latin American modern and contemporary works added to #MoMACollection thanks to the generosity of the Colección Patricia Phelps de Cisneros (@CPPCisneros). #MoMACisneros #ColeccionCisneros
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Image: Lygia Clark (Brazilian, 1920–1988). “Sundial.” 1960. Aluminum with gold patina, dimensions variable. Gift of Patricia Phelps de Cisneros in honor of Rafael Romero. Photo courtesy of lygiaclark.org.br
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