C E R E A Lのインスタグラム(cerealmag) - 7月5日 04時46分


Henry Moore made the cover of Time magazine in 1959. The decade that followed was, if not definitive for the British sculptor’s legacy, perhaps the most telling.

Made at monumental scale and in staggering quantities, Moore’s works from this period are engaging if not groundbreaking.  ‘Locking Piece’ from 1964 is a touchstone for his more abstract work, simulating tension through two interacting forms; 1962’s ravine-like ‘Knife Edge Two Piece’ demonstrates his fascination with the contours of the landscape and his tendency toward sharp, bone-like juxtapositions.

Monumental Scale - Henry Moore: the Sixties

Words: @louisharnettomeara 
Photos: @henrymoorestudios

Read more via the link in bio.


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