ロサンゼルスカウンティ美術館さんのインスタグラム写真 - (ロサンゼルスカウンティ美術館Instagram)「Squared away 🔳  Artist Ed Moses has been a significant figure in contemporary art in Los Angeles since his first solo exhibition in 1958. Since the very beginning, drawing has been central to Moses’s practice. From his large, all-over graphite drawings of roses from the 1960s to his signature diagonal grids of the 1970s and beyond, Moses’s work has always been grounded in graphic experimentation.  In 2015, LACMA debuted the first museum presentation of the artist’s drawings since 1976: "Ed Moses: Drawings from the 1960s and 70s." The exhibition was  comprised of approximately 100 works from LACMA’s collection, the artist’s own holdings, and those of other museums and private collections.  Tap the #LinkInBio to learn more about his process and development.  Ed Moses, "Untitled," acrylic, ink, and masking tape on foamcore, 1975-1977, © Ed Moses, photo © Museum Associates / LACMA, by Brian Forrest.」10月22日 8時57分 - lacma

ロサンゼルスカウンティ美術館のインスタグラム(lacma) - 10月22日 08時57分


Squared away 🔳

Artist Ed Moses has been a significant figure in contemporary art in Los Angeles since his first solo exhibition in 1958. Since the very beginning, drawing has been central to Moses’s practice. From his large, all-over graphite drawings of roses from the 1960s to his signature diagonal grids of the 1970s and beyond, Moses’s work has always been grounded in graphic experimentation.

In 2015, LACMA debuted the first museum presentation of the artist’s drawings since 1976: "Ed Moses: Drawings from the 1960s and 70s." The exhibition was comprised of approximately 100 works from LACMA’s collection, the artist’s own holdings, and those of other museums and private collections.

Tap the #LinkInBio to learn more about his process and development.

Ed Moses, "Untitled," acrylic, ink, and masking tape on foamcore, 1975-1977, © Ed Moses, photo © Museum Associates / LACMA, by Brian Forrest.


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