ロサンゼルスカウンティ美術館さんのインスタグラム写真 - (ロサンゼルスカウンティ美術館Instagram)「Grinning at this gridlock? 🚕 🚛 🚙  Katsuji Wakisaka’s smile-induing 1974 "Bo-Boo" textile design for the Finnish firm Marimekko is named for the sound of honking cars. The textile was marketed to both boys and girls, an uncommon occurrence at a time when most children’s gear was clearly gendered. Many of us might remember these colorful and busy cars, trucks, and buses from our childhood bedrooms, and for those kids at heart who like a little vintage flair, they're still readily available through the magic of online shopping. ✨  Tap the link in our bio to see more picks and highlights from Bobbye Tigerman, LACMA's Curator of Decorative Arts and Design.  Katsuji Wakisaki (designer) for Marimekko, Inc., producer, Dan River Mills, manufacturer, "Bo-Boo textile," designed 1974, produced c. 1975, © Marimekko, Inc., photo © Museum Associates/LACMA.」7月13日 5時25分 - lacma

ロサンゼルスカウンティ美術館のインスタグラム(lacma) - 7月13日 05時25分


Grinning at this gridlock? 🚕 🚛 🚙

Katsuji Wakisaka’s smile-induing 1974 "Bo-Boo" textile design for the Finnish firm Marimekko is named for the sound of honking cars. The textile was marketed to both boys and girls, an uncommon occurrence at a time when most children’s gear was clearly gendered. Many of us might remember these colorful and busy cars, trucks, and buses from our childhood bedrooms, and for those kids at heart who like a little vintage flair, they're still readily available through the magic of online shopping. ✨

Tap the link in our bio to see more picks and highlights from Bobbye Tigerman, LACMA's Curator of Decorative Arts and Design.

Katsuji Wakisaki (designer) for Marimekko, Inc., producer, Dan River Mills, manufacturer, "Bo-Boo textile," designed 1974, produced c. 1975, © Marimekko, Inc., photo © Museum Associates/LACMA.


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