ブルックリン美術館さんのインスタグラム写真 - (ブルックリン美術館Instagram)「Pierre Cardin revolutionized the bold shoulder look that resurfaced in the 1970s. After his first visit to China in 1978, he found inspiration in the pagoda at a time when other designers were focused on replicating details of the Mao jacket. This led him to create his iconic, strong-silhouetted “Pagoda” suits that consisted of jackets with extreme, padded pagoda-like shoulders, turtlenecks, and pants. “For me,” Cardin said, “China was about the shoulder that looked like a pagoda!”⁠⠀ ⁠⠀ Models wearing Pierre Cardin “Pagoda” jackets in China, 1979. (Photo: Courtesy of Archives Pierre Cardin. © Archives Pierre Cardin) ⇨ Pierre Cardin “Pagoda” jackets in leather, 1979. (Photo: Courtesy of Archives Pierre Cardin. © Archives Pierre Cardin)」11月28日 0時43分 - brooklynmuseum

ブルックリン美術館のインスタグラム(brooklynmuseum) - 11月28日 00時43分


Pierre Cardin revolutionized the bold shoulder look that resurfaced in the 1970s. After his first visit to China in 1978, he found inspiration in the pagoda at a time when other designers were focused on replicating details of the Mao jacket. This led him to create his iconic, strong-silhouetted “Pagoda” suits that consisted of jackets with extreme, padded pagoda-like shoulders, turtlenecks, and pants. “For me,” Cardin said, “China was about the shoulder that looked like a pagoda!”⁠⠀
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Models wearing Pierre Cardin “Pagoda” jackets in China, 1979. (Photo: Courtesy of Archives Pierre Cardin. © Archives Pierre Cardin) ⇨ Pierre Cardin “Pagoda” jackets in leather, 1979. (Photo: Courtesy of Archives Pierre Cardin. © Archives Pierre Cardin)


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