フィラデルフィア美術館さんのインスタグラム写真 - (フィラデルフィア美術館Instagram)「Until the mid-1900s, most Gee’s Bend quilts were made of used denim work clothes. This was a necessity for the quilters as store-bought fabrics were often too expensive, and reusing fabric was the most resourceful quilting method. A captivating aspect of these Work Clothes Quilts are the “ghost pockets,” where a former pocket has been ripped off to reveal a deep blue denim patch on an otherwise sun-bleached fabric. See these incredible quilts on display in “Souls Grown Deep: Artists of the African American South” through September 2. • “Work-Clothes Quilt,” 2002, by Mary Lee Bendolph © Estate of Mary Lee Bendolph/Artists Rights Society (ARS), New  York」6月27日 23時04分 - philamuseum

フィラデルフィア美術館のインスタグラム(philamuseum) - 6月27日 23時04分


Until the mid-1900s, most Gee’s Bend quilts were made of used denim work clothes. This was a necessity for the quilters as store-bought fabrics were often too expensive, and reusing fabric was the most resourceful quilting method. A captivating aspect of these Work Clothes Quilts are the “ghost pockets,” where a former pocket has been ripped off to reveal a deep blue denim patch on an otherwise sun-bleached fabric. See these incredible quilts on display in “Souls Grown Deep: Artists of the African American South” through September 2.

“Work-Clothes Quilt,” 2002, by Mary Lee Bendolph © Estate of Mary Lee Bendolph/Artists Rights Society (ARS), New York


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