ニュー・ミュージアム・オブ・コンテンポラリー・アートさんのインスタグラム写真 - (ニュー・ミュージアム・オブ・コンテンポラリー・アートInstagram)「With "Do ut des" (2014–19), a Latin phrase meaning, “I give so that you will give,” Mariana Castillo Deball alludes to the creative potential of estrangement and the interdependence of art and its viewers. In this ongoing body of work, Castillo Deball bores holes and cavities in a series of books from the late 1960s called "El Mundo de Los Museos" (The world of museums) conceived by Brazilian designer Eugênio Hirsch. Castillo Deball’s excavations into these books double as Rorschach-like cross sections. As the artist views it, these forms appeal to the imaginative process that is at the root of creative interpretation. See the series as part of "Mariana Castillo Deball: Finding Oneself Outside." #MarianaCastilloDeball @marianacastillodeball . . Photo: Maris Hutchinson / EPW Studio」4月8日 4時55分 - newmuseum

ニュー・ミュージアム・オブ・コンテンポラリー・アートのインスタグラム(newmuseum) - 4月8日 04時55分


With "Do ut des" (2014–19), a Latin phrase meaning, “I give so that you will give,” Mariana Castillo Deball alludes to the creative potential of estrangement and the interdependence of art and its viewers. In this ongoing body of work, Castillo Deball bores holes and cavities in a series of books from the late 1960s called "El Mundo de Los Museos" (The world of museums) conceived by Brazilian designer Eugênio Hirsch. Castillo Deball’s excavations into these books double as Rorschach-like cross sections. As the artist views it, these forms appeal to the imaginative process that is at the root of creative interpretation. See the series as part of "Mariana Castillo Deball: Finding Oneself Outside." #MarianaCastilloDeball @marianacastillodeball
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Photo: Maris Hutchinson / EPW Studio


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