ニュー・ミュージアム・オブ・コンテンポラリー・アートさんのインスタグラム写真 - (ニュー・ミュージアム・オブ・コンテンポラリー・アートInstagram)「"Canned Smiles" (2013) was inspired by an exchange with a European collector who expressed surprise that #NariWard’s work did not seem particularly happy, though Ward had been introduced as a “Jamaican artist.” For Ward, the cliché of the happy Jamaican artist echoed racist stereotypes from the history of American minstrelsy. The editioned work consists of two cans, titled “Jamaican Smiles” and “Black Smiles,” each with a mirror placed inside it. Ward smiled into the former, while his daughter and son—who, unlike the artist, were both born in the United States—smiled into the latter. . . Photo: Maris Hutchinson / EPW Studio」3月30日 1時38分 - newmuseum

ニュー・ミュージアム・オブ・コンテンポラリー・アートのインスタグラム(newmuseum) - 3月30日 01時38分


"Canned Smiles" (2013) was inspired by an exchange with a European collector who expressed surprise that #NariWard’s work did not seem particularly happy, though Ward had been introduced as a “Jamaican artist.” For Ward, the cliché of the happy Jamaican artist echoed racist stereotypes from the history of American minstrelsy. The editioned work consists of two cans, titled “Jamaican Smiles” and “Black Smiles,” each with a mirror placed inside it. Ward smiled into the former, while his daughter and son—who, unlike the artist, were both born in the United States—smiled into the latter.
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Photo: Maris Hutchinson / EPW Studio


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