Vogue Italiaさんのインスタグラム写真 - (Vogue ItaliaInstagram)「‘STUDIO LUCE’ by @roversi Our new #CasaVogue issue on newsstands tomorrow.  For centuries, painters have crossed the Alps seeking a certain light: vibrant, intense and so Italian. Northern light, on the other hand, is reflected light that doesn’t create contrasting shadows, maintaining hues and a sense of warmth constant, as if emitted from a giant natural diffuser. Actually, it is the perfect light for painting. And for photographing. So it is no surprise that when Serbian painter Milan Konjović decided to have his studio built in Rue Paul Fort in Paris, he made sure the main facade of the building was turned toward the north. For the work on the studio, Konjović turned to a compatriot, a first assistant to Le Corbusier, whose name has been lost over the decades. Because the Pavillon Suisse was being built just a few blocks away during that same year, the famous architect spent his days giving advice (solicited or not) to his assistant. So it is easy to see why there is a bit of Le Corbusier’s influence here. [...] Konjović lived and worked here shortly before World War II and then returned to Serbia, never setting foot in Paris again. For a while, his studio was rented out to a company that made hair wax, using it as offices and a warehouse. Then, in 1981, Paolo Roversi came on to the scene in Rue Paul Fort, and the atelier became Studio Luce. Read the interview with #PaoloRoversi by @chiaranonino in our new issue and via link in bio.」4月5日 2時32分 - vogueitalia

Vogue Italiaのインスタグラム(vogueitalia) - 4月5日 02時32分


‘STUDIO LUCE’ by @roversi
Our new #CasaVogue issue on newsstands tomorrow.
For centuries, painters have crossed the Alps seeking a certain light: vibrant, intense and so Italian. Northern light, on the other hand, is reflected light that doesn’t create contrasting shadows, maintaining hues and a sense of warmth constant, as if emitted from a giant natural diffuser. Actually, it is the perfect light for painting. And for photographing. So it is no surprise that when Serbian painter Milan Konjović decided to have his studio built in Rue Paul Fort in Paris, he made sure the main facade of the building was turned toward the north. For the work on the studio, Konjović turned to a compatriot, a first assistant to Le Corbusier, whose name has been lost over the decades. Because the Pavillon Suisse was being built just a few blocks away during that same year, the famous architect spent his days giving advice (solicited or not) to his assistant. So it is easy to see why there is a bit of Le Corbusier’s influence here. [...] Konjović lived and worked here shortly before World War II and then returned to Serbia, never setting foot in Paris again. For a while, his studio was rented out to a company that made hair wax, using it as offices and a warehouse. Then, in 1981, Paolo Roversi came on to the scene in Rue Paul Fort, and the atelier became Studio Luce.
Read the interview with #PaoloRoversi by @chiaranonino in our new issue and via link in bio.


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