エドガー・ライトさんのインスタグラム写真 - (エドガー・ライトInstagram)「Seated last night for Dario Argento’s ‘Opera’ as part of the @britishfilminstitute’s ‘Dario Argento’s Doors Into Darkness’ season. It felt very nostalgic and fun to be back in the same screen where, in 1996, I watched the last BFI Dario season (‘The Horror Fellni’), also with the maestro himself in attendance doing an ‘in conversation’ event.   Back then I definitely watched ‘The Bird With The Crystal Plumage’, ‘The Cat O’ Nine Tails’, ‘Four Flies On Grey Velvet’, ‘Deep Red’, ‘Suspiria’, ‘Inferno’, ‘Tenebre’ on 35mm and I believe a preview of ‘The Stendhal Syndrome’ too. As well as seeing him talk eloquently about his work. I had not seen ‘Opera’ on the big screen and until last night I don’t believe I had ever seen the original Italian language cut. What a joy to see these large, loud and with a big crowd x」5月9日 18時25分 - edgarwright

エドガー・ライトのインスタグラム(edgarwright) - 5月9日 18時25分


Seated last night for Dario Argento’s ‘Opera’ as part of the @britishfilminstitute’s ‘Dario Argento’s Doors Into Darkness’ season. It felt very nostalgic and fun to be back in the same screen where, in 1996, I watched the last BFI Dario season (‘The Horror Fellni’), also with the maestro himself in attendance doing an ‘in conversation’ event.

Back then I definitely watched ‘The Bird With The Crystal Plumage’, ‘The Cat O’ Nine Tails’, ‘Four Flies On Grey Velvet’, ‘Deep Red’, ‘Suspiria’, ‘Inferno’, ‘Tenebre’ on 35mm and I believe a preview of ‘The Stendhal Syndrome’ too. As well as seeing him talk eloquently about his work. I had not seen ‘Opera’ on the big screen and until last night I don’t believe I had ever seen the original Italian language cut. What a joy to see these large, loud and with a big crowd x


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