トームのインスタグラム(tomenyc) - 12月18日 07時37分


While many are divided about #GillianAnderson as the #IronLady in #TheCrown there can be no questions about her immaculate portrayal as that most vulnerable lady in
The House of Mirth, one of #EdithWhartons first major books
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Gillian Anderson is Oscar-worthy in Terence Davies's brilliant adaptation of Edith Wharton, says (Peter Bradshaw Fri 13 Oct 2000 @guardian )

Terence Davies has characterised #TheHouseofMirth by #EdithWharton as #JaneAusten with the gloves off. That isn't quite true - Jane Austen is Jane Austen with the gloves off - but Davies has brought an unexpected intensity, a genuine passion, to his adaptation of Wharton's novel of love, cruelty and guile in America's high society of the early 20th century.
The story of Lily Bart (Gillian Anderson), the beautiful society princess who miscalculates in her search for an advantageous match, becomes a Rake's Progress of social shame.
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The heroine heads into the unthinkable abyss of poverty with each calamitous romantic manoeuvre among the drawing-room Machiavels and country-house Clausewitzes - and Davies compels you to watch, horrified and fascinated, as Lily arrives at her self-willed, tragic fate.
This outstanding film shows how masterly is Davies's visual sense and what a light, adroit touch he has turned out to have with "period" furniture and detail. It is a revelation to see how he has transformed the novelistic conventions of place and character with such tact, and the kind of sobriety and discretion that allows the cast to give vivid, attractive performances. What a refreshing experience that is after the mess Martin Scorsese managed to make of Wharton's The Age of Innocence, obtusely fetishising the mahogany and bone china and unconvincingly affecting to find eroticism in Daniel Day-Lewis pantingly unbuttoning Michelle Pfeiffer's glove. Davies's film wears its history lightly.
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In particular, Gillian Anderson is a revelation... Her jolie-laide face is capable of conveying an acutely calibrated, technically accomplished range including mischief, erotic rapture, despair, self-loathing. Sometimes she is sleek and pert, sometimes ill and puffy and bathed with cold sweat... @gilliana


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